Incandescence

She is brightness
like her sister and
her brother both
they are incandescent
but not like a bulb
no
like the heat
that infuses a summer day
like the embers
on the hearth
like intuition
like empathy
like a light touch
like a star
visible from any place
on the globe

Lisa E. Paige
Copyright 2010

Surrender

Salt water stings
our hot skin
as the bright
white light mellows
softening us until
we touch
unintended underwater
where silky seaweed
surprises us and
suggests we
surrender
to the forces of the moon

Copyright 2010

Badger

This is not a children's poem.

Sometimes we are
busy as a beaver
sneaky as a weasel
we have nine lives
like a cat
or deeply love
and depend on
our best friend
the dog.

Sometimes we have
a memory
like an elephant's
or we're shy
as a mouse
or roar
like a lion
when we should
bleat like a lamb.

This is not a children's poem.

Sometimes we're cougars
and our claws come out.

We so often follow
like sheep or
are pushed along
like cattle or
are more stubborn
than a mule or
act like an ass.

And that brings me
to the equine paradox:
there are more horses' asses in the world
than horses.

This is not a children's poem.

What of the badger?
The badger badgers.
And usually it works
at least for him.

More persuasive
than the snake
was Eve
or was Adam just
more easily turned?
Unlike women
(according to many men's analogies)
she didn't have to badger
or bitch.

This is not a children's poem.

Sometimes tautology
is the best we can do.
We are what we are
and it is what it is.
We're human so
we're simply not a butterfly
but don't we see that
we are as stunning and
have a butterfly's fragility
that steals the breath?
That we can --
if we wish to --
stop crawling and
(not without a chrysalis phase)
discover flight.

Believe me.
This is not a children's poem.
Children have not yet forgotten how to fly.

Copyright 2010

Coals

Dancing on coals
as red as frostbite
will ignite
the forgotten lessons
that formed
like ice particles
in our warm breath
that day
when we sang
by the church
joining hands
with the dark
and the empty
as we hungered
for comfort and heat
yet fumbling
with numb fingers
traded our
worn scarves
to strangers
for gratitude.

Copyright 2010

Piercings

I told her
it's trite to say
that her heart is pierced
even if it feels
as real as a paring knife
on a peach.

But when she lifted her shirt
immodestly
and eagerly said
it won't hurt -- do it quickly --
I'll just look away --
jewels fell like those
that had colored her fingertip
when she signed
a childish lasting pact
-- with a serious look --
then mingled her life with
that of her best friend.

It was through
in an instant
followed by
a captive ring
with a crimson droplet gem
a prism
reflecting the truth
of an eternal metaphor.

And she smiled with defiance.

Copyright 2010

Unshu Mikan

Oranges under my skin
beg to be peeled
until I trickle
over your fingertips,
my pulp under your nails.

Better to juice me
than slice me in quarters,
although you already have me.

I don't mind being squeezed
until trust is sweet on your lips.

Did you know that satsuma
-- unshu mikan --
is a mutant from Japan?

It means honey citrus.
Tart and sugary, like me.

Copyright July 2010

Right here

Somewhere over the rainbow
(alto II part burned into my brain)
I sing about platinum shining
where leprechauns lurk
(those lying midget bastards)
and the pot of gold
on Wall Street
crumbled into dust
like the dying
(the ashes of whom
weeks later
dusted my shoes)
and yet I cannot
stop from singing
and the song rises
blue and gold and crimson
above a turret
above a spire
scraping the sky
like ivory
against the night
above 200 soaring voices
all knowing
that only fools
seek gold
instead of the rainbow
(yes a Ding an sich)
all the voices
are blinded by the hues
shining through clouds
and rain and hail
and blasting through
thick Gothic walls
in stained glass allegories
inflaming those who do believe
(in justice
in peace
in tolerance
in love
in ourselves
and in what we carry
in all that's spoken
all that's holy)

Copyright June 19, 2010